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	<title>Continuity 101</title>
	<link>http://www.thatcontinuityguy.com/continuity101</link>
	<description>or: How I learned to Stop Worrying and Love the Scripty</description>
	<lastBuildDate>Mon, 06 Sep 2010 01:54:08 +0000</lastBuildDate>
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		<title>Random Uncategorized post for messing with comments.</title>
		<description>Specifically, testing out my non-inline-gravatars-in-MSIE problem </description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=352</link>
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		<title>That&#8217;s it then?</title>
		<description>Yup, that's it.

It's been great talking with you. You take care now, 'kay?

And don't forget to write. </description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=342</link>
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		<title>My appetite has been suitably whetted. Where can I find out more?</title>
		<description>Have a look in the Further Reading section. And anything else - just ask. </description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=294</link>
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		<title>I&#8217;m a producer. I have a very limited budget - why should I hire you?</title>
		<description>Hopefully some of what we've discussed above should have helped persuade you of the need to have a proper Script Supervisor. ((No, your flatmate doesn't count.)) If not - the fact that it will free up your director to do her job properly and give you a better film. On ...</description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=285</link>
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		<title>I&#8217;m a director. I know what I&#8217;m doing - why do I need you?</title>
		<description>Because I look at all these things so that you don't have to. You're used to trying to keep track of eyelines, and action continuity, and updating the script changes, and cross-checking your coverage, and all that other stuff. But you're there to get the frame you want and the ...</description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=280</link>
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		<title>What department do you come under?</title>
		<description>None - or rather, my own. I am a department of one. ((Unless there's a second unit which is running to its own Script Supervisor, or on the rare occurrences when the main Script Supervisor has an assistant.)) I report to the the Director, the Editor, and the Producer / ...</description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=277</link>
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		<title>Sure. Do I get to find out what they are?</title>
		<description>Oh, right, sorry. Here you go: </description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=275</link>
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		<title>Well, that seems to pretty much cover it. Are we done?</title>
		<description>Very nearly. Just a couple more questions I'd like you to ask me. Pretty please. </description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=272</link>
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		<title>And what about pre-production?</title>
		<description>Ah yes. Primarily, in pre-production I time the script and break it down. ((And to save another question: No, I don't have anything to do with post-production once my MUS and Continuity Sheets have been delivered, although I am always available to the editor for any queries she may have.))

My ...</description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=419</link>
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		<title>Okay, okay. What don&#8217;t you do?</title>
		<description>Well, my hollandaise sauce never seems to turn out quite right... ((The key is to keep the heat as low as possible, and to have the butter at room temperature. Won't work straight from the fridge.))

In terms of what I don't watch for - I’m not looking at:

	Performance. As mentioned ...</description>
		<link>http://www.thatcontinuityguy.com/continuity101/?p=266</link>
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